animations-daily:

SNOOPY, COME HOME
dir. Bill Melendez

(via trainstationgoodbye)

pangeen:

Silence morning

by P E T E R  P O L Á K

boydswan:

Frank Capra + rain/water curtain
Ladies of Leisure (1930)
The Miracle Woman (1931)
Platinum Blonde (1931)
Lady for a Day (1933)
It Happened One Night (1934)
Mr. Deeds Goes to Town (1936)
Lost Horizon (1937)
Meet John Doe (1941)
It’s a Wonderful Life (1946)
State of the Union (1948)

(via trainstationgoodbye)

nevver:

Muretz (because)

genekellys:

The next time you’re going to do anything or say anything or buy anything, think it over very carefully. When you’re sure you’re right, forget the whole thing.

MR. BLANDINGS BUILDS HIS DREAM HOUSE dir. H.C. Potter 

(via gayworths)

deforest:

BUSTER KEATON in SHERLOCK, JR. (1924)
“Keaton told film historian Kevin Brownlow that one scene inspired the entire picture: a man, in this case, a projectionist, tries to enter the movie he is watching. At first he can’t; the characters in the film he is watching throw him out of the screen. When he sneaks back in he suddenly finds that he has no control over the narrative: a nighttime scene in a garden cuts without warning to a busy city street, then to a mountain cliff, then to a jungle filled with lions, to a desert, etc. It is a scene with a precision and clarity that is breathtaking. Keaton, his cameramen, and technical director Fred Gabourie filmed it with surveying equipment to align the separate elements… It may be the first time a filmmaker ever questioned the meaning and function of linear narrative.” — Daniel Eagen

(via trainstationgoodbye)